Look

Editorial look

In short

A page of a magazine: a serif headline over a plain label, warm paper, a page number in the corner.

What it is made of
  • A serif headline with a sans-serif label under it.
  • Words lift into place; nothing bounces.
  • One scene lifts away and the next is laid over it, like pages.
  • A warm paper ground with near-black type and a deep red accent.
  • A thin rule of the accent frames a corner; the brand's name and a scene number sit in the margins.
Good for
  • Explainers and how-it-works videos
  • A brand or founder story
  • Food, craft and anything with a history
With your brand kit
Your brand kit's colour and typeface replace the look's own. Everything else (pace, easing, the seams between scenes) stays, so "all my videos in this look" and "all my videos in my colour" are not a choice between two things.

The other looks

  • LookMinimal

    Few words on a light ground. One idea per screen, nothing hurries and nothing bounces.

  • LookBold

    Big capitals, a hard accent colour and a fast seam between every scene. Built for the feed.

  • LookCorporate

    Measured and trustworthy: the look a bank, a clinic or a consultancy can put its name on.

  • LookCinematic

    Wide-spaced capitals, long holds and a slow drift: the grammar of a film trailer.

  • LookE-commerce

    Price, product, urgency. Warm, bright and energetic, with numbers that read at a glance.

  • LookProduct

    A software launch film: a dark room lit in colour, type that comes into focus, a camera that never quite stops.

  • LookEnergy

    A creator's reel: condensed capitals as big as the frame allows, an acid accent, every scene thrown in and thrown out.

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