Look

Cinematic look

In short

Wide-spaced capitals, long holds and a slow drift: the grammar of a film trailer.

What it is made of
  • Capitals with wide letter-spacing, at a restrained size.
  • Long, even entrances; nothing bounces.
  • The camera goes through one scene into the next, with a light leak or a film burn between acts.
  • A black ground under one warm light, with warm off-white type and a sand accent.
  • Film grain, dark corners and a thin bar across the top and the bottom of the frame.
Good for
  • Brand films and teasers
  • Hospitality, travel and property
  • A premium product reveal
With your brand kit
Your brand kit's colour and typeface replace the look's own. Everything else (pace, easing, the seams between scenes) stays, so "all my videos in this look" and "all my videos in my colour" are not a choice between two things.

The other looks

  • LookMinimal

    Few words on a light ground. One idea per screen, nothing hurries and nothing bounces.

  • LookBold

    Big capitals, a hard accent colour and a fast seam between every scene. Built for the feed.

  • LookCorporate

    Measured and trustworthy: the look a bank, a clinic or a consultancy can put its name on.

  • LookE-commerce

    Price, product, urgency. Warm, bright and energetic, with numbers that read at a glance.

  • LookProduct

    A software launch film: a dark room lit in colour, type that comes into focus, a camera that never quite stops.

  • LookEditorial

    A page of a magazine: a serif headline over a plain label, warm paper, a page number in the corner.

  • LookEnergy

    A creator's reel: condensed capitals as big as the frame allows, an acid accent, every scene thrown in and thrown out.

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